Schiff, The West Wing) imprisoned in a silo on her family’s strugglingįarm. Herself in a real-life fairy tale upon discovering a man (Richard Squad), an 11-year-old girl with an affinity for storytelling. In the 1980s, the story revolves around Gitty (Peyton Kennedy, Odd Terrence Malick’s The Tree of Life, makes a dynamic feature debut. Writer-director Anne Hamilton, who got her start as an intern on Largely take a backseat to a rural drama with mystery/thriller elements. Tommy Wirkola (Dead Snow) directs some superb action sequencesįable is true to its name, often playing out like something of a darkįairy tale in the country’s heartland, but its fantastical elements Plays the girls’ grandfather who raised them, while Glenn Close (FatalĪttraction) is the head of the agency stripping families of theirĬhildren. Quite impressive to see them all seamlessly interacting with one another Rapace wonderfully diversifies the seven parts, and it’s Monday disappears, the other six siblings must track her down before Sharing a life each one only goes out during the day of the week for (Prometheus) stars as septuplets, who hide from the government by Policy is enforced in an effort to preserve the planet. Monday is set in the not too distant future, when a strict one-child ![]() Powerful debut anchored by strong performances. It’s all about theīuild-up, with some genuinely creepy moments along the way before itĬulminates in a tense finale. She wants her deceased child back, but this Sightseers) to perform an elaborate ritual that allows you to ask a The story involves a grieving woman (Catherine Walker,įerocious Planet) who seeks the aid of an unstable cultist (Steve Oram, Slow-burn horror film predominantly told with two actors in one The restrained approach allows the audience toīecome more invested in the characters, building toward an unpredictableĪnd emotionally draining final act. Meanwhile, the house’s disturbedįormer resident (the great Pruitt Taylor Vince, Constantine) returns, and he takesĪ liking to the young girl. Struggling artist (a nearly unrecognizable Ethan Embry, Can’t Hardly Wait), his wife (ShiriĪppleby, Roswell), and their teenage daughter (Kiara Glasco, Map to the Movies, all with a lean toward heavy metal music. Due to how raw and real itĪnd directed by Sean Byrne (The Loved Ones), The Devil’s Candy combinesĮlements of haunted house, demonic possession, and home invasion ![]() Although largely a somber, dramatic film, thereĪre a couple of truly shocking moments. Outlook on life when he befriends a girl who’s also an outcast (Chloe Not justĪn avid watcher of horror films - although he name-checks plenty of them Good Wife) who is a practicing vampire in New York City. The plot concerns an adolescent boy (Eric Ruffin, The It’s also an urban coming-of-age tale with Romero’s Martin, The Transfiguration is a A lot of the plot points are familiar, but the astonishingĮffects are more than enough to make it feel fresh and exciting.Ī modern take on George A. Small group of people fight to survive against Lovecraftian monsters andĬultists. ![]() Set in the most understaffed hospital since Halloween 2, a ![]() Plethora of practical effects and a pulsating, John Carpenter-esque The Beyond, and Assault on Precinct 13, along with a healthy dose of Of genre favorites such as The Thing, Hellraiser, Prince of Darkness, You can also peruse past installments of Best New Horror Moves on Netflix for more suggestions.Īfraid to wear its influences on its sleeve, The Void is a fun amalgam With any I may have missed and share your thoughts on any of the films Through on Netflix, so I’ve decided to take out some of the legwork byĬompiling a list of the season’s best new genre titles on Netflix’s There’s an overwhelming amount of horror movies to sift
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